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Spark Your Creativity with 100 Inspiring Poses
Composition and Visual Pathway
Control Light to Scupt the Figure
Recruit and Interact with Models
Market Your Work
The human body has been an inspiration for artists since before the invention of photography. Naturally, nudes were one of the first subjects of photography as well.
This illustrated how-to guide can be enjoyed by anyone, but is written for two main audiences: the accomplished photographer who wants insight from a peer into the genre of nude photography, and the serious amateur who wants a guided introduction to the field.
The processes are arranged step-by-step. You’ll find more than just a selection of photos and a dissection of each; you’ll see full lighting diagrams as well as a frank discussion of the techniques and pitfalls in the days and weeks leading up to making a nude image. From finding your first nude model to selling your first nude photo, the guide will take you through lighting, posing, and-post processing with Photoshop.
You’ll learn from the author’s twenty years of experience photographing hundreds of nude models.
True Confessions of Nude Photography has fallen foul of the usual problems which trouble most self published books I’ve seen: slapdash punctuation, run-on sentences, jumbled sentences, missing or extra words, and claims which are not be supported by logic. I read just seven of its one hundred and twenty-two pages despite doing my best to be generous: it’s a jerky read made all the more irritating by its frequent repetitions.
I found both its title and the author’s references to “the beauty of the human body” misleading: these terms imply—to me at least—that the book discusses photographing the human body in all its forms; but the only pictures the book contains are of over-skinny, pouting young women. While I can understand that these women might well appeal to the book’s author/photographer, some of the pictures included are quite remarkably unappealing. Some of the poses he’s chosen look extremely uncomfortable; despite this, the two young women who appear together in some of his shots (both of them fit young women, of course) seem very enthusiastic about posing together. I also found some of the advice given on how to find models just a little disturbing: call me prudish, but I don’t think it’s appropriate for anyone to ask young women to pose for them without explaining right from the start that they’ll be expected to strip off their scanties. It reeks of predatory, manipulative behaviour to me, and although that might not be the author’s intention it is a tactic that I find abusive.
If you want to know how to photograph naked people, there have to be better books than this for you to learn from; but if all you want is a poorly-written, poorly-edited book featuring a few competent photos of naked young women, then this is the book for you.
When eleven-year-old, band geek, Bobby Isaacs falls in like with his best friend, Jenna Richards, he uncovers a secret about Chris Kruger, the school bully. In a plot to impress Jenna, Bobby enters a spelling bee, hoping to come in first place. Desperation drives him to do something that gets Chris Kruger’s attention. After the two fight, Bobby discovers Chris’s terrible secret, but not before Chris destroys Bobby’s most prized possession.
Stuck in the Friend Zone is a story about two of the most fundamental yet important universal concepts Forgiveness and Understanding.
I’ve received quite a few books like this one lately: books with an engaging tone, from writers who are competent and who show potential: but they are all let down by careless errors which should have been caught at the copy-editing stage.
Of the fifteen issues I found in THE Chronicles of Bobby Isaacs: Stuck in the Friend Zone, all but three concerned basic copyediting issues (double hyphens used for some of the dashes; some random and rather odd capitalisations; several extraneous commas, etc). Two of the remaining three focused on some clunky exposition; and the final point was that while I understand that all children are different I don’t believe that a boy with Bobby’s background would be showing such an interest in girls while still only eleven years old.
I can see that he might be vaguely aware of girls; but I don’t believe that awareness would have developed as far as it seems to have done in this book. If the passages concerning Bobby’s feelings for Jenna had been written in a more “something is happening here but I don’t quite get it” tone I might have believed it more but as it is written, I just didn’t.
So: I would advise Lena Putzer to pay a lot more attention to copy-editing her work in future; to be more alert to the dangers that exposition poses to her pacing and tone; and to see if she could make this major part of her storyline—Bobby Isaacs’ feelings towards Jenna—a little more believable. Because if she resolves these issues then she could have a fabulous book on her hands: her writing is lively and funny and gave me a real sense that I was acquainted with the characters, and that I understood their world. It’s a shame she failed on the basics having done so well with the more difficult stuff: I read seven pages out of a total of two hundred and forty-one.
I had high hopes for First Wolf: it has an above-average front cover (although the author’s name is in the wrong font, the wrong colour, and wrong position); and although the back cover copy is flawed (it contains a tense-change, is a little confusing, and at times reads a bit like a shopping list) it could be brought up to standard without too much trouble. The book’s premise appealed to me too, with its echoes of Alan Garner and its roots in a particularly spectacular part of our landscape and history. But, as is often the case with self-published books, the text is in need of a strong edit, and that’s what lets this book down in the end.
In my view, it suffers from a surplus of commas. I realise that not everyone will agree with me on this point: but I prefer text to be as clear and clean as possible and including commas when they’re not strictly needed makes this impossible. Before you all shout me down here, bear in mind that my preference for clarity-without-commas hasn’t developed simply because I dislike the look of them on the page: it’s because their overuse often hides a fundamental problem with the text which they adorn.
Too often, commas are used to prop up an inadequate sentence structure, or to try to improve a syntax which is forced and lacking in fluency: and that’s what has happened here. A good editor would have helped the writer correct all those errors and let the fast-paced story shine: as it is, the story’s excitement is dulled by the writer’s slightly confusing writing, her oddly over-formal tone, and her frequently illogical statements. Which is a shame, as with a proper edit this book could have been much improved. I read seven pages out of one hundred and fifty-five, and despite their flaws rather enjoyed them.
He Dared to Dream an Impossible Dream.He Risked Body and Soul to Make it Real.
“A VOYAGE BEYOND REASON”
On September 13, 1996, twenty four year old Benjamin Wade set out on a solo voyage in a tiny sea kayak. As he pushed off from the shores of San Felipe, his goal lay 6,000 miles away – and deep within his own soul. The chance discovery of his journals, buried on a Colombian cliff above the sea, uncovered a mystery which took many years to finally solve. His journals tell of misery and elation, of triumph and failure, of insight and insanity. Follow the events which will forge his character, and follow the mind of a young man set on achieving a dream that no amount of misfortune can dissuade him from reaching…on a journey that challenges his survival, and brings him face to face with himself.
Tom Gauthier weaves the word pictures and intimate thoughts of Benjamin Wade into a gripping story of the struggle for survival and the reshaping of a young life in a way that few of us could imagine.
As with so many of the books I’ve reviewed here, Tom Gauthier’s A Voyage Beyond Reason: An Epic of Survival Based on the Original Journals of Benjamin Wade is let down by the writing, which is often overdone and frequently relies on clever tricks rather than on good writing to make the author’s point. I found inconsistencies in the tense used; an intrusive amount of passive voice; a couple of contradictions in the text, and homophone substitutions; there were several missing hyphens and the author would do well to cut his comma-use by half. But what irritated me most was the significance with which Benjamin Wade’s name was used in the early parts of the text: this implied that I should know who he was, but no information about him was given to support that implication.
Despite that, this is one of the better books I’ve looked at here. With a strong edit it could be vastly improved and it has real potential to make a fascinating read if that is done: but as it is, I found my fifteen mistakes within its first seven pages. A shame.
“Nestled in the Appalachian foothills, Glendary College is the epitome of a small-town college. Calm and studious on the surface, the mixture of jocks, religious fanatics, and hippies creates a powder keg just waiting to explode. The igniting spark comes in teh form of the Sunburst, a homegrown rock-and-roll band whose members go out of their way to break campus rules. Finally, at a late-night concert, they go too far, and the band members are expelled.”
I nearly reached the end of page seven of The Rock Star’s Homecoming before finding my fifteen errors. Eleven of those errors were down to the writer’s repeated use of exposition to reveal backstory or characterisation, which drastically interrupted the flow of the main story and which could easily have been dealt with in a less intrusive way.
I’ve flicked through the rest of the book and while there’s less exposition as the story progresses, it does continue to intrude.