Mark David Ransom—comes from a long line of craftsmen. His Italian immigrant great-grandfather worked on the world famous Brooklyn Bridge. His German/Irish father practiced his trade at the 1964 World’s Fair and on the State Capital in Albany, NY. He spent many years himself restoring masonry buildings in the five boroughs, including the Brooklyn Museum and the Empire State Building. The son of a slate roof and a bookkeeper, and educated by the public school system of New York City, Mark’s chosen crafts have been making song and theater. He has done poetry slams at the Nuyorican Poet’s Cafe and readings at Reckless in Hell’s Kitchen. He is a member the White Horse Theatre Company where he played the title role of Half in a workshop production of the original play. A lifelong resident of New York City, he is a poet, an actor, and a singer/songwriter. As a building inspector and civil servant, living in Cobble Hill, Brooklyn, Mark witnessed the events of September 11, 2001, from a unique perspective, one that provided him with the inspiration for this, his first volume of published poetry. In his official capacity as an inspector, he documents the physical damage of city buildings. As a poet, he investigates the emotional and psychological topography of a new era in emerging from the old. His chronicle in verse, dedicated to the city of his birth, is written with words of healing, admiration, respect, and love.
First off, I applaud Mr. Ransom’s courage in publishing After September: it’s an intensely personal account of a very traumatic time and in exposing the emotion and horror of those days he has also exposed his own vulnerabilities. This is not to be done lightly: his courage is apparent, in his words and his decision to self publish them, and I admire him for it.
Sadly, I cannot admire this book. The poetry in it is confusing, clichéd and overwritten, and often contradicts itself within a line or two. As a result Mr. Ransom’s meaning is often obscured or completely misdirected. Which is a shame because lurking below these problems there is real potential.
Mr. Ransom has a good eye for poetic detail, and for those moments which represent our times. He has a natural inclination towards sparsity and has a lyrical tone which is lacking entirely from the work of most aspiring poets.
If I were Mr. Ransom, then, how would I proceed? I’d read the greats. I’d read anthologies of prize-winning poetry, I’d read books of poetry from the classics to the avant-garde and I’d read them all repeatedly until I breathed them. And then I’d look to my own work and make sure that not a single word was wasted, and that my meaning was always clear and strong.
So: a disappointing effort from a writer with potential, who is going to have to get really tough with himself in order to improve as a poet. I read nineteen pages out of seventy-five, and really hope that he improves.