The Devil Won’t Care, by John Streby

GENERAL FICTION

The Devil Won’t Care

A novel of betrayal and retribution

The Devil Won’t Care delves into the career of Lanny Lessner, a journalist who rockets to fame and wealth with a hard-hitting documentary about the decline of his home town after a spate of factory closings. Revered by millions, Lessner seems poised to become the Ralph Nader of his generation.

But Lessner has a dark side, replete with shady dealings, antisocial behaviour, and mean-spirited hypocrisy. The filmmaker’s saga is retold by a friend and supporter, Warren Hill, whose narrative chronicles their relationship. As the story evolves, Hill confronts a growing body of evidence that Lessner, intoxicated by his celebrity status, is a crass, deceptive, manipulative phony, whose shortcomings mimic those of the targets of his pungent wit.

The Devil Won’t Care addresses some of the flaws of a dysfunctional society in which “What’s in it for me?” is the common denominator. Checkbook photojournalism, celebrity worship, reality TV and our sound-bite culture are all laid bare. On a broader level, the book is a morality tale in which the narrator is forced to confront his deepest fears and emotions, set against a backdrop of deception, atonement and redemption.

About the Author

John Streby is a connoisseur of Broadway musicals, pre-1930 phonographs and records, and films noir. His first novel, Rabbit Stew, dealt with the incestuous mix of law and politics, and featured several characters who appear in this book. Mr. Streby is currently writing a third novel, Follow the Money.

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There might well be an excellent story lurking in The Devil Won’t Care but much was obscured by the author’s bad writing habits, which really got in my way as I read. It was frustrating: I could hear echoes of John Grisham in this book, and once or twice even caught a whiff of Donna Tartt’s Secret History, which is one of my all-time favourite books: but those moments were rare, and they were swiftly buried beneath the author’s frequent lapses into verbosity and exposition.

There were several places where the author threw away what could have been scenes of great tension; and I found much of his description overwritten and far too lengthy. The author’s habit of telling the reader what had happened instead of showing us those events stopped me caring much about any of his characters or what happened to them; he frequently repeats information; and at times I felt that he was too self-consciously Doing Writing rather than telling us his story.

All of these small problems add up to a text which is slow-paced and waffly. But the biggest problem was that it was confusing: there was little flow in the text; the narrative was jerky and inconsistent; it skipped from subject to subject and back again with little consistency; and this lack of focus, along with the over-wordy vocabulary, made what should have been a fast-paced courtroom drama into a slow dull read

I suspect Mr. Streby could do so much better if he worked with a strong editor or took part in some good writing workshops: there’s the hint of a good, commercial book buried beneath his mistakes. I read eleven of this book’s four hundred and thirty five pages; but had I not been reading this for review, I wouldn’t have got past the anti-trade publishing rant which makes up the bulk of the book’s second paragraph. It’s astonishingly ill-informed and the idea of anyone with an ounce of commercial experience investing money in the business proposed is ludicrous. I strongly advise this writer to research the realities of business better before he writes any more about it.

True Confessions Of Nude Photography: A K Nicholas

This review also appears on my bigger blog, How Publishing Really Works. Comments there are closed so if you’d like to discuss this book or my review, you have to do it here. Please do!

Learn and Master the Techniques of Nude Photography

Spark Your Creativity with 100 Inspiring Poses

Composition and Visual Pathway

Control Light to Scupt the Figure

Recruit and Interact with Models

Market Your Work

The human body has been an inspiration for artists since before the invention of photography. Naturally, nudes were one of the first subjects of photography as well.

This illustrated how-to guide can be enjoyed by anyone, but is written for two main audiences: the accomplished photographer who wants insight from a peer into the genre of nude photography, and the serious amateur who wants a guided introduction to the field.

The processes are arranged step-by-step. You’ll find more than just a selection of photos and a dissection of each; you’ll see full lighting diagrams as well as a frank discussion of the techniques and pitfalls in the days and weeks leading up to making a nude image. From finding your first nude model to selling your first nude photo, the guide will take you through lighting, posing, and-post processing with Photoshop.

You’ll learn from the author’s twenty years of experience photographing hundreds of nude models.

True Confessions of Nude Photography has fallen foul of the usual problems which trouble most self published books I’ve seen: slapdash punctuation, run-on sentences, jumbled sentences, missing or extra words, and claims which are not be supported by logic. I read just seven of its one hundred and twenty-two pages despite doing my best to be generous: it’s a jerky read made all the more irritating by its frequent repetitions.

I found both its title and the author’s references to “the beauty of the human body” misleading: these terms imply—to me at least—that the book discusses photographing the human body in all its forms; but the only pictures the book contains are of over-skinny, pouting young women. While I can understand that these women might well appeal to the book’s author/photographer, some of the pictures included are quite remarkably unappealing. Some of the poses he’s chosen look extremely uncomfortable; despite this, the two young women who appear together in some of his shots (both of them fit young women, of course) seem very enthusiastic about posing together. I also found some of the advice given on how to find models just a little disturbing: call me prudish, but I don’t think it’s appropriate for anyone to ask young women to pose for them without explaining right from the start that they’ll be expected to strip off their scanties. It reeks of predatory, manipulative behaviour to me, and although that might not be the author’s intention it is a tactic that I find abusive.

If you want to know how to photograph naked people, there have to be better books than this for you to learn from; but if all you want is a poorly-written, poorly-edited book featuring a few competent photos of naked young women, then this is the book for you.

Life Skills 101: A Guide To Understanding The Seasons In Your Life: Lori J Parker

As the magnitude of trials continue to escalate in the world today, Christians need to understand the seasons of preparation that God has for each of them. In Life Skills 101, Lori Parker identifies why we experience various trials. She offers practical ways to identify and overcome these trials so we will be ready for the Lord’s return.

Lori Parker, is an anointed author, conference speaker, and founder of One Choice Ministries. God has given her gifts of compassion, joy, and boldness. She has a passionate desire to see people develop an intimate relationship with the Lord. Lori preaches Biblical truths that stir the Body of Christ into action.

“I counsel you to buy from Me gold refined in the fire, that you may be rich; and white garments, that you may be clothed, that the shame of your nakedness may not be revealed; and anoint your eyes with eye salve, that you may see.”~Revelation 3:18

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Life Skills 101 gets off to a poor start. Its back cover copy discusses the trials we will all face in life, and informs us that the book has a strongly Christian perspective: then on the first page of its introduction it tells us that it’s actually about our relationships with money and with god.

It implies that everyone reading the book will have little money and an irresponsible attitude to the little they have; that everyone who appears to be doing well is really hiding a mountain of debt and misery; and that the reason so many people overspend is that they are too proud, and feel they deserve better than they have. The author seems to resent college graduates, especially those who go on to postgraduate education; and she states that Christians should be exempt from rules which apply to non-Christians, as they can depend on god’s guidance. It would have been useful if god had given the author a little guidance on the rules of punctuation and grammar, but perhaps he shares my view that writers should learn how to do these things for themselves.

This book gave me a very interesting glimpse into another world—but that doesn’t mean I think it’s any good. The author attributes all sorts of things to god’s grace but doesn’t discuss why this might be so; she shows no understanding of social or psychological failings, she implies that we have no need to take personal responsibility for our mistakes or problems, and makes no allowance for the fact that sometimes terrible things happen to people which they simply cannot overcome even if they believe and trust in god. And that’s where this book fails.

If the author had attempted to encompass more shades of grey—to recognise that not everyone believes in god, for example, and that often, hard work can be far more practical and effective than prayer and contemplation—this book would have been much better. As it is, it’s a judgemental, disappointing and patronising text which encourages us all to live our lives responsible only to god, and to make no efforts to resolve our own problems or improve our lives other than by praying for god’s guidance: and that means it’s only going to be taken seriously by people who already agree with the stance it takes; and that people like me, who disagree very strongly with most of the claims made in the book, are going to dismiss it.

If I were this writer, then, how would I improve this book? Instead of discussing abstract groups of people who are disappointed in their lives I would write about specific people and tell their stories in more depth; I would stop making insulting generalisations about people who do not share my beliefs; I would learn a little about logic and fallacy and apply what I’d learned to my writing; and I’d stop being so very disapproving about the way other people live their lives.

I read fifteen of this book’s one hundred and thirty seven pages, and won’t be reading any more.